GLOW har de mest Crazy-Amazing ’80s Makeup ser ud af hele tiden

TK
Erica Parise / Netflix

Marianne Mychaskiw

30. juni 2017 @ 16:30

If you have not yet streamed all 10 episodes in the first season of GLOW, Hent dig straks til din Netflix-konto – serien er en fiktionaliseret påtrængning Gorgeous Ladies of Wrestling, That was a genuine syndicate show that was huge in the 1980s, and the most badassed women were dressed in equal badas character suit. 

It was a passion for makeup artist Lana Grossman in particular when she actually grew up to see the original GLOW på tv tilbage i 80’erne. “Det var slem serendipitous, fordi da jeg gjorde Masters of Sex, Betty Gilpin, der spillede Debbie Eagan, havde en sidste gang i sidste sæson. She came in and bad to borrow a wig for an audition, and while the hair care helped her out, I asked what show it was for, “she says to us.” Betty var som, “nogle viser kaldes GLOW,”and I was like:” You mean it Gorgeous Ladies of Wrestling?”When I was 10 years old, it was my occupation in life. I was in the age when I was old enough to stop watching it, but too young to have a life on Saturday night and I was just occupied I always asked people if they remembered the show, but they never did so, so I lost when she told me. I called my agent to see how I could get involved. Just as I was born to udfør dette show. “

And we’re pretty sure nobody else could have done better. The Fordi characters in the Netflix series were not direct interpretations of real wrestlers on the original, Grossman took a few reference material from some of the women who were in GLOW as well as from their own childhood. It was also a genforening of slagser – she had actually worked on the show’s hope division led further Mad mænd, for ikke at nævne, Alison Brie og Rich Sommer, henholdsvis Trudy Campbell og Harry Crane. “Forskellene dette og Mad mænd I was not around for the time being Mad mænd skete, so extensive research went into these looks, “says Grossman.” Jeg husker GLOW living, so I have to relive my glitter fantasy. ” 

For Grossman og hendes hold var det vigtigt, at makeupen så ud som pigerne kunne have gjort selv. “At try to make it look, is not perfect because our instinct is to get the actors to look their best, but we have to go back and make an eye a little uneven for the sake of realism,” she adds. . For den sidste kamp eksperimenterede holdet med grafik Jem og Hologrammer-esque figurer, som sluttede med at se mere redaktionelle end hjemmevoksne.

Vi bad Grossman om at fortælle nogle af hendes yndlings skønhedsmomenter fra filmen, hvad de største hindringer var med hver piges super-fysiske rolle og selvfølgelig de inspirationer, hun trak.  

VIDEO: GLOW Fortæller en varm og kritisk historie i verdens 80-dages brydning